Thursday, June 12, 2025

"Old fat spider can’t see me! Attercop! Attercop!"


The post title is from The Hobbit. The spiders may not have been able to see Bilbo, but I'm not invisible.

I just finished the first application of Miss Muffet's Revenge this year, a very effective spider killer/repellent that lasts three or four months. I usually spray every surface a spider might cross getting onto my balcony.

I readily admit that spiders are generally beneficial, consuming insects and themselves providing food for birds. But I prefer they don't occupy the same living space I do.

Wednesday, June 11, 2025

Frederick Forsyth, RIP

I did enjoy his novels, especially Day of the Jackal and Dogs of War (both made into excellent films). He also narrated the BBC series Soldiers: A History of Men in Battle. I used the first episode of that as an introduction to a unit on the military in an international relations class. From the Washington Post obituary:
Frederick Forsyth, a mega-selling British novelist of political thrillers, cunning spy craft and globe-trotting intrigue who used his own background as a foreign correspondent to inspire such page-turners as The Day of the Jackal, The Odessa File and The Dogs of War, died June 9 at his home in Buckinghamshire, a county in southeast England. He was 86. ....

For a half-century, Mr. Forsyth was one of the most successful authors of the cloak-and-dagger circuit. He wrote more than 20 novels, short stories and other works, reportedly selling more than 75 million copies in more than a dozen languages. ....

.... Mr. Forsyth, who had mulled for years the attempted assassination of De Gaulle as scaffolding for a novel, spent a little over a month at the typewriter and finished the manuscript for The Day of the Jackal with the aid of many packs of Rothmans cigarettes.

The book was about a French paramilitary outfit that hires a remorseless British hit man known only as “the Jackal.” The tensions build on a collision course between the hired killer and an unassuming French police detective racing to stop him. The first four publishers who were pitched “Jackal” didn’t understand the book, Mr. Forsyth later told The Washington Post: “The point was not whodunit, but how, and how close would he get?” ....

In 1972, Mr. Forsyth won the Mystery Writers of America’s Edgar Allan Poe Award for best novel. An acclaimed 1973 film, directed by Fred Zinnemann, starred Edward Fox as the Jackal and Michael Lonsdale as the French police official. .... (more)

Sunday, June 8, 2025

"Originalism"

Bryan Garner writes about English usage. With Antonin Scalia, he co-authored Reading Law: The Interpretation of Legal Texts. Here he explains "Some Misconceptions About Originalism." Anyone who believes judges should modify their decisions based on loyalty to a person or an ideology doesn't understand how the proper role of judges differs from that of legislators.
.... The idea behind originalism is as old as interpretation itself. In fact, the earliest statute on legal interpretation, from Scotland in 1427, made it a crime punishable at the king’s will to “interpreit...statutes wrangeouslie” or “utherwaies than the statute beares, and to the intent and effect, that they were maid for, and as the maker of them understoode.” ....

The influential Emmerich de Vattel, the Swiss author of The Law of Nations (1758), a book that greatly influenced the Founding Fathers, wrote: “Languages vary incessantly, and the signification and force of words change with time. When an antient act is to be interpreted, we should then know the common use of the terms at the time when it was written." ....

The basic idea has always been that a legal text should have a stable, enduring meaning—not a meaning that morphs unpredictably through time. Daniel Webster, the greatest American lawyer of the 19th century, said that “we must take the meaning of the Constitution as it has been solemnly fixed.” That was not just the prevalent notion in his day, but the only notion of which any contemporaneous trace can be found. .... (more)

Saturday, June 7, 2025

Pointless suffering

"Utopian Promises, Despotic Outcomes" is a review of The Revolution to Come: A History of an Idea from Thucydides to Lenin by Dan Edelstein. Excerpts from the considerably longer review:
The ninth of November, 1799—the 18th of Brumaire in the calendar of the French Revolution—is often remembered as the day the Revolution ended. Napoleon Bonaparte, conqueror of Italy and scourge of Egypt, engineered the dissolution of the executive committee of the French Republic. The following day he entered the lower house of the French Assembly with a military escort. The deputies, recognizing a coup, cried “down with the dictator” and roughly manhandled the great general until he retreated. But troops soon cleared the chamber. Napoleon was made first consul and granted expansive powers. A new constitution followed, animated—according to one of its authors, the powerful Abbé Sieyès—by the principle that “power must come from above and confidence from below.” Remarked Sieyès of this new order: “Gentlemen, we now have a master.” ....

For the ancient Greeks, and for millennia thereafter, political turmoil was “revolutionary” in that it was a perennial pathology of cyclical history, bringing only pointless suffering. ....

To the ancients, Mr. Edelstein writes, “the state in revolution was a perversion of the state, a social hell in which the trappings of society remained in place only to mask the unbridled violence and greed…that really governed human affairs.” Revolutions were calamitous “mutations” to no purpose, adding only tragedy to the affairs of men. ....

The French philosophes, Mr. Edelstein argues, were the first to exchange “a vision of revolution as devastation for one of revolution as improvement.” Voltaire, Turgot, Condorcet and others developed a perfectionist faith in accumulative human improvement. They introduced the belief that history progressed and that the “iron law of inequality,” as Mr. Edelstein puts it, could be overcome. Tradition and custom were recast as the tyranny of the dead over the living. Social classes would melt away beneath a future sun.

Crucially, these progressive philosophes also developed a confidence in the capacity of the central state to act as the engine of reform. ....

The Revolution to Come cleaves the much-celebrated “age of democratic revolutions” into two. The French Revolution embodied the new confidence in historical progress and enthusiasm for unchecked power. Its guiding spirit, Mr. Edelstein insists, was Voltaire, the enthusiast for enlightened despots, rather than the radically democratic Rousseau. Napoleon, perhaps even Lenin, emerge as the heirs of Frederick the Great: authoritarian, but no less revolutionary for that.

The American Revolution was of a different quality. It emerged from the British tradition of mixed constitutionalism and what Mr. Edelstein calls “radical conservatism.” “Rather than transforming their world,” he writes, Americans “wished above all to preserve the state.” For Adams, Madison, and Hamilton, pure democracy and revolution remained threats. The American constitution thus sought to manage class conflict and balance governmental powers, both federally and within the central government. ....

...The Revolution to Come is still harder on the “modern” revolutionaries of the French dispensation. In his best chapters, Mr. Edelstein unfolds the despotism and pitiless violence that stains this tradition. Advocating historical progress was one thing; securing popular consensus on the nature of progress was something else entirely.

In place after place, disagreement over the question of what progress meant inevitably spawned factions, strife, conspiracies, and atrocities. The drive to centralize power disabled any constitutional mechanisms that might have tamed this factionalism. The contest to control the single central power—through which the future would be defined—became increasingly ferocious. Purges targeted traditional counterrevolutionaries, but even more, false friends: the quisling moderates who might undermine the cause from within. The only solution was radical, reforming despotism. .... (more)

Wednesday, June 4, 2025

"Cooler than Cool"

I'm not sure when I first discovered Elmore Leonard, but it was after the time he was writing Westerns (but I do have DVDs of some films based on his Westerns). I believe I own copies of all of his crime novels, all eminently re-readable. I once gave old paperback copies of several of Elmore's books to a graduate student who aspired to be a screenwriter. A new biography of Elmore was reviewed in The Wall Street Journal today. From that review:
“Try to leave out the part that readers tend to skip.”

So reads the 10th of “10 Rules of Writing” (2007) by Elmore Leonard (1925-2013), the New Orleans-born, Detroit-raised, Hollywood-savvy author who changed the nature of crime stories (in print and on screen) while becoming one of the most successful and highly regarded writers of his genre and generation. ....

Leonard’s style was Hemingway-like in its economy and reveled in the unexpected delights of the American language. His stories often began in the middle of a scene, and where they went after that was anyone’s guess. His opening lines, such as this one from 1980’s Gold Coast, were collectible: “One day Karen DiCilia put a few observations together and realized her husband Frank was sleeping with a real estate woman in Boca.”

His crime stories, filled with oddball crooks and moody cops, were hard to pigeonhole, but Leonard’s audience grew to bestseller proportions, boosted by screen adaptations and near-idolatrous reviews. Many of his later works—among them LaBrava (1983), Get Shorty (1990), Rum Punch (1992), Out of Sight (1996) and Tishomingo Blues (2002)—have been reverently republished via the Library of America. Martin Amis would write that Leonard’s prose rang with the “American rhythms” of Robert Frost and Mark Twain. Ann Beattie compared his fiction, in its moral complexity, to Flannery O’Connor’s. .... (more)