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| CS Lewis at the RAF Chaplains’ School in Oxford in 1944 |
Bruce R Johnson in The Telegraph explains "Why the Second World War was the making of CS Lewis" (excerpts):
Lewis understood [speaking to airmen] could give him repeated opportunities both to advance the Christian point of view and “bring encouragement to some lonely chaplain who had been finding the going hard”. But this opportunity was very different from his weekly routine of teaching English literature at Oxford. ....Lewis spent the next four years travelling to RAF establishments throughout Britain. It was exhausting work, with months where Lewis was hardly home three consecutive nights. Yet he began to make a difference. The words of his 1943 Palm Sunday address at RAF Feltwell became the chapter “Making and Begetting” in Mere Christianity. The squadrons there were flying massive night bombing campaigns and experiencing staggering losses. Chaplain Stuart Barton Babbage said it was “into hell and back again”. Lewis used the experiences of these aircrews in his talk. He compared historic Christian doctrines to lines on the maps they used each night to guide them safely home. Religious experiences are far more exciting than dry doctrine, as walks along a beach are more pleasant than reading maps. But Lewis pointed out, “the map is going to be more use than walks on the beach if you want to get to America”.That same evening, Lewis addressed smaller groups in the station chapel. To men facing death, Lewis was unusually frank about his own struggles (just as combat veterans can sometimes open up to one another). Lewis then transitioned to a description of Christ’s suffering on the cross. Padre Babbage remembered: “We were, once again, made aware of his extraordinary feeling for words, of his rare ability to use exactly the right word in the right place, and of the endless fertility of his imagination.” ....While Lewis continued with these RAF addresses, he was also hosting evacuee children in his home near Oxford, the Kilns. They had been sent there by parents worried about German bombing. Different groups of evacuees (all teenage girls) continued to be rotated in and out of the Kilns throughout the war. Around the time that the first group arrived, Lewis decided to write a story about a picture he had carried in his head since his own teenage years. It was of a faun with an umbrella carrying packages through a snowy wood. The first paragraph of that story introduced four children sent away from the air raids of London to the countryside home of an old professor. Lewis did not know where the story could go from there, until he began having dreams about lions. Soon the Great Lion Aslan pulled the whole story together. It is significant that the fantasy which became The Lion, the Witch and the Wardrobe was framed by the real-life battles between the RAF and the Luftwaffe. .... (more, probably behind a paywall)


















