Alec Guinness is one of my favorite actors. Not the Alec Guinness of Star Wars, particularly, but the Guinness of the Ealing comedies, or the films he made with David Lean, and especially his role as George Smiley in the television series based on the le Carré books. I revisit those at least once a year. I like the BBC version far better than the 2011 film with Gary Oldman. From someone who, apparently, hadn't seen the 1979 version before:
The thing about spy shows is you can’t do anything else while you’re watching; to miss a micro-expression is to miss the plot. Such is the case with 1979’s Tinker Tailor Soldier Spy miniseries based on the le Carré book of the same name, which I recently watched in full. As in the case in real-life espionage, the series features very little in the way of action. Only one episode features gunfire; occasionally, a man jogs. It was, sincerely, riveting. .......Alec Guinness’s George Smiley, a dour, droll cuckold and high-ranking intelligence officer whose devotion to England is only superseded by his commitment to social propriety. Smiley, recently and unjustly fired from his position as second in command of the Circus—the nickname for the cadre of top officers within the UK’s intelligence services—is tasked with ferreting out a mole leaking British secrets to the Soviets. It’s believed that the mole is one of the remaining members of the Circus, so Smiley and his few allies can’t let anyone know what they’re up to. (Rather, being professional spies, they can’t let anyone know even more than usual.) For his part, Smiley has to pretend to still be in forced retirement. Not the easiest way to go about an extremely high-stakes mission set at the height of the Cold War.Even bearing these constraints in mind, Smiley sets about his mission with extreme delicacy. You could be forgiven for mistaking the setting of Tinker Tailor as an alternate-reality London where any act of rudeness sets off the offender’s exploding ankle monitor and blasts their component atoms into the mesosphere. Most of Smiley’s conversations with his various sources and suspects are comprised of intimation, allusion, and tactical civility. ....Throughout this process Guinness’s Smiley never raises his voice; not once does he rise from his seat. By weaponizing formality, he’s obviated the need for blunter instruments. Why steal secrets when you can ask politely? (more)
Calvin Kasulke, "Tinker Tailor Soldier... Shifgrethor," CrimeReads, Feb 24, 2025.
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