Wednesday, August 27, 2025

Reading when young (or old)

Once again this summer, The Telegraph offered "The best children’s books for every age group." It's a pretty good list. A few examples:
Four- to five-year-olds
Winnie-the-Pooh (1926) by AA Milne

In his 1939 memoir, It’s Too Late Now, AA Milne raged at how the “bear of very little brain” had undermined his reputation as a serious writer. For though Milne wrote seven adult novels and 34 plays, the extraordinary success of Winnie-the-Pooh and The House at Pooh Corner (1928), with line drawings by EH Shepard, eclipsed any of the Englishman’s other literary efforts. They show Milne to be a brilliant observer of human behaviour, to the extent that the animals in the Hundred Acre Wood, be it pompous Owl or melancholic Eeyore, have become part of the cultural lexicon. And just as you’re never too old to read Pooh, you’re never too young: the books will give any inquisitive child an Arcadian first step into plot-driven stories.

The Tale of Peter Rabbit
(1901) by Beatrix Potter

Beatrix Potter’s stories contain all manners of horrors, from Squirrel Nutkin’s tail being broken off by Old Brown the owl to Benjamin Bunny’s young family being kidnapped by a hungry badger. The Tale of Peter Rabbit begins with a particularly gruesome image, as Peter’s mother warns him not to go into Mr McGregor’s garden: “Your father had an accident there; he was put in a pie by Mrs McGregor.” Not always a comforting read, then. But Potter’s exquisite illustrations, with their teasing interplay between fantasy and realism, make for some of the most enchanting children’s stories of all time.
Nine- to eleven-year-olds
The Lion, the Witch and the Wardrobe (1950) by CS Lewis
CS Lewis’s postwar fantasy has inspired more literary analysis than almost any other work of children’s fiction; but it’s part of the novel’s magic that its subtext can be enjoyed in blissful ignorance. Countless fans have reported that they read it for the first time unaware even of its Christian allegory – let alone the academic theories that link the trees in the Narnian woods, like Kerr’s hungry tiger, to the Gestapo. Lewis understood the unbridled power of a child’s imagination: no child who has followed the adventures of the Pevensie children will look on a wardrobe the same way again.

The Wind in the Willows 
(1908) by Kenneth Grahame

The poetic language in Grahame’s story, which is set in a bucolic Edwardian England, might strike the modern child as old-fashioned. But they should persevere: the tale of Mole, Ratty, Badger and their trouble-prone friend Toad is a dazzling combination of enchantment and psychological acuity. As with Winnie-the-Pooh, the characters have acquired a universal quality. We may not be lucky enough to know a Ratty – but we all know a Toad: “I have the gift of conversation. I’ve been told I ought to have a salon, whatever that may be.”
(more, perhaps only available to subscribers)

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