I have commented before about historical novels I have enjoyed. I dislike those that take liberties with what is actually known about real people and events, but the good ones don't. The Telegraph presents a selection of "The 20 greatest war novels." The writer, himself the author of historical fiction, introduces his choices with reference to one of my favorite historical novelists:
As a boy, I devoured the historically accurate and side-splittingly funny Harry Flashman novels by George MacDonald Fraser, which track the disgraceful adventures of the notorious Victorian soldier-cad as he skulks and whores his way through the major conflicts of the 19th century. They stayed with me. And so shortly before writing my first novel, Zulu Hart, set during the Anglo-Zulu conflict of 1879, I interviewed Fraser. “Do you ever manipulate historical facts to suit your plot?” I asked.“I try not to,” he replied. “The trick with real historical figures is to be honest and stay true to their spirit.” One of the few times he broke his rule was not being “quite fair” to Otto von Bismarck, the architect of German unification, in Royal Flash, the second of the Flashman series. “But he was such a swine anyway,” explained Fraser, “that I figured that was all right.”To me, a good war novel should do exactly this: remain faithful to history while taking canny artistic licence to create convincing characters. It should rattle along at a decent pace and contain universal truths, jeopardy (no outcome is inevitable), and act as a gateway for readers to explore “proper” history. ....
Most of the twenty fictions are more serious than this one, but Fraser's ability to entertain made learning history fun:
Flashman (1966) by George MacDonald FraserPresented as the discovery of the long-lost Flashman Papers (a literary device that even deceived some American academics at the time), this hilarious, superbly researched book chronicles the army career of the notorious bully from Thomas Hughes’s popular Victorian novel Tom Brown’s School Days. Expelled from Rugby School for drunkenness, young Harry Flashman joins the infamous Lord Cardigan’s 11th Hussars and later becomes a reluctant secret agent in Afghanistan. Somehow our cowardly anti-hero emerges from the disastrous Retreat from Kabul with his skin intact, his reputation enhanced and his eye for the ladies unimpaired.


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