The contemporary essay

Patrick Kurp has come across an essay he saved, “What’s Wrong With the American Essay.” First, a portion he quotes from it, and then some of his reaction:

“The problem, of course, is not merely our essayists; it’s our culture. We have grown terribly—if somewhat hypocritically—weary of larger truths. The smarter and more intellectual we count ourselves, the more adamantly we insist that there is no such thing as truth, no such thing as general human experience, that everything is plural and relative and therefore undiscussable. Of course, everything is plural, everything is arguable, and there are limits to what we can know about other persons, other cultures, other genders. But there is also a limit to such humility; there is a point at which it becomes narcissism of a most myopic sort, a simple excuse to talk only about one’s own case, only about one’s own small area of specialization.”

Things have only gotten worse in subsequent decades. Contemporary essays are characterized principally by the writer’s desire to impress readers with his sensitivity and virtue, usually of a political nature, as though the essay were a form of loyalty oath. Of course, a few first-rate essayists are still at work, still getting published: Cynthia Ozick (age 98), Joseph Epstein (89), Gary Saul Morson (78), Theodore Dalrymple (76), Peter Hitchens (74). All are lineal descendants of the father of essays, Montaigne.... (more)

I read anything I come across by Epstein, Dalrymple, or Peter Hitchens.

Patrick Kurp, "Our Essayists Have Defected," Anecdotal Evidence, May 2, 2026.