All six seasons of Foyle's War are available streamed from Netflix. Lars Walker has finally seen them and, with a few minor quibbles, he enjoyed them. The series is one of my favorites and Walker describes it well:
Detective Chief Superintendent Christopher Foyle (splendidly underplayed by Michael Kitchen) is chief detective in Hastings, England, during World War II. A sort of running joke in the series is that he desperately wants to do something “more important” for the war effort, but again and again is denied the chance, sometimes because there’s a case he feels he needs to see through to the end, and sometimes because his stubborn integrity makes him enemies in high places. Later on, when the war is winding down, he just wants to retire, but keeps getting pulled back in.Brandywine Books
Foyle is a smallish, unprepossessing man, but steely in his character. He’s the kind of superior officer who can flay a subordinate alive without raising his voice. Nevertheless he’s very popular with his underlings, and has a sly, dry, sense of humor.
He is assisted in his inquiries by two regular supporting characters—Samantha “Sam” Stuart, his military driver (played by an actress actually named Honeysuckle Weeks, who’s not conventionally pretty but is nevertheless entirely adorable), and Detective Sergeant Paul Milner (Anthony Howell), an early war casualty with an artificial leg. Together they investigate at least one murder each episode, often connected to war profiteering, espionage, and military secrets. Foyle isn’t always able to arrest the sometimes well-protected culprits, but he does all he can and never gives up under any pressure less than direct orders. In such cases, he never leaves the stage without laying out the moral case. ....
...[I]t’s a pretty good crime series. As an extra pleasure, the churchmen in the series (Sam Stuart tells us all her uncles are vicars) are generally portrayed as decent and honest. [more]
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